Gerry (2018)

With the same name of Gus Van San’s film,Gerry (2002), the work Gerry re-appropriates the film as a lonely journey in the desert at night. Without any light, wandering through the area of the desert without any purposes or objectives, the work transforms the film narrative as purely auditory experiences by the simulation of the resonance of desert and empty landscape in Death Valley. This work tries to rediscover the notion and the gesture of sound and listening in the context of game and virtual environment.